American Horror Story Characters Who Look Completely Different In Real Life

A number of cast members have come back to the long-running "American Horror Story" series over the years, yet sometimes even the show's most ardent hardcore fans are unaware of those returns — mainly because the actors tend to be unrecognizable from season to season, morphing from one bizarre onscreen persona to the next in service of the show's darkly addictive story.

Making these major changes between characters definitely requires a significant display of dramatic chops on the part of the actors. But that's only half of the incredible behind-the-scenes journey that helps bring these varied roles to life. The show's award-winning makeup and costume designers certainly play an important part in these amazing transformations — and with that in mind, we're taking a look at the very different appearances some "American Horror Story" cast members sport when they aren't in front of the cameras for the show. These are the "American Horror Story" characters whose actors look completely different in real life.

Kathy Bates started working onscreen in the late '70s with a role on the daytime drama "The Doctors," and stayed busy on TV and in film throughout the '80s — but she really skyrocketed to household name status after breaking through as the terrifyingly unhinged Annie Wilkes in the 1990 big-screen adaptation of Stephen King's "Misery."

Bates went on to build an admirably diverse collection of credits after winning an Oscar for her standout work in "Misery," but she understandably avoided picking up another high-profile horror role until she joined "American Horror Story" in 2013 as Madame Delphine LaLaurie — the first of many memorable parts she's played on "AHS" over the years. Her character from "AHS: Freak Show" is perhaps her most memorable of all: She plays world-weary bearded lady Ethel Darling, infusing the character with a no-nonsense attitude that's almost enough to make viewers forget that beard is even on her face.

When you're playing the gatekeeper to the spirit world, you'd better be scary enough to really look the part. In "AHS: Coven," Lance Reddick does just that. The late character actor, a veteran of memorable roles logged on shows like "The Wire" and "Lost," made an unforgettable mark on "American Horror Story" audiences in 2014 when he made his entirely convincing debut as Papa Legba.

As anyone who saw him in any of his other projects was well aware, Reddick was a handsome guy with a chiseled build, but his slender body type and unique appearance make it possible for the "American Horror Story" team to give him the type of otherworldly, voodoo-inspired look a character like Legba really needs. After finishing up on "AHS," Reddick stayed busy right up until his unexpected passing in March 2023, completing a run of roles that including police chief Irvin Irving in all seven seasons of the TV drama "Bosch" and the role of Charon in all four of the Keanu Reeves-led blockbuster "John Wick" action thrillers.

Lily Rabe had big shoes to fill when it came to playing real-life serial killer Aileen Wuornos. After all, Wuornos' sordid story was already familiar to audiences courtesy of the Oscar-winning performance Charlize Theron turned in when she brought the tragic tale to life in 2003's "Monster."

Rabe held her own as Wuornos, putting her own spin on the convicted killer with a sauntering performance for "AHS: Hotel," but her methodical mannerisms are only one part of the creepiness reflected by the talented star during this season of the series. Makeup artists did more than their part too, using an array of creepy tricks to turn this drop dead gorgeous young lady into a shiver-inducing dead ringer for the notorious murderer.

"American Horror Story" offered a forum for some of Rabe's most chilling work, but she's capable of a lot more than scary, and casting directors know it — she's stayed super busy on TV and the big screen since leaving the show, including roles in "Vice," "The Undoing," and "Shrinking."

If you didn't already know Grace Gummer is Meryl Streep's daughter, you would have had a tough time seeing the resemblance through her character in "AHS: Freak Show." To achieve her look as "Lizard Girl," Gummer endured the daily application of an elaborate puzzle of prosthetic tattoos that covered her entire head and neck. Although her forked tongue was added in post-production, she did sometimes have to wear a silicon applique.

After wrapping up her work on "AHS," Gummer underwent a different type of transformation, dyeing her hair red for her role on the critically acclaimed "Mr. Robot." That change, ironically, might have been just as attention-getting as her metamorphosis for "Freak Show." "There's something about being a redhead that is very definitive," she told V. "I've noticed that, walking down the street, people notice me more." Gummer's other recent credits have included "Good Girls Revolt," "Dr. Death," and a main role on "Let the Right One In."

Denis O'Hare's transformation into a transgender woman is thorough — and not just on the outside. Aside from the makeup and outfits, O'Hare gave a nuanced performance that showed the emotional impact transitioning can have. Liz Taylor is the heart and soul of the Hotel Cortez, and she is simply fabulous.

O'Hare's committed approach to the character extended all the way to how he allowed himself to be seen by his fellow "AHS" castmates. "I always make sure that when I'm shooting I show up in costume. I don't want to walk on set in my street clothes, especially with a character like this. Everyone was overwhelmed when I first walked out. I remember I did a scene with Sarah Paulson and she was like, 'Oh. My. God,'" he told the Daily Beast. "I had to be in costume. I had to be in full makeup. I had to be in heels." 

O'Hare's list of movie and TV credits is vast, but outside of "AHS" — to which he's returned for the latest tale, "Delicate" — he may be best known as king vampire Russell Edgington on "True Blood." 

Frankenstein has nothing on Infantata. The late Ben Woolf played the miniature monstrosity in Season 1, bringing to life the character that represented the reanimated remnants of the murdered Montgomery child — a tyke who happened to come back with a ravenous hankering for blood. To capture the unsettling look, Woolf had to submit to one heckuva makeup routine.

Sadly, the public never got to see more of what Woolf could have done with his obvious acting talent. He was struck by a car in Los Angeles in late February 2015, and died after suffering a stroke related to injuries he sustained in the accident. The actor, only 34 at the time of his shocking passing, was memorialized by his friends, family, and colleagues — including "AHS" creator Ryan Murphy, who paid tribute to his former star by telling social media followers that Woolf was "one of the most inspirational people I've ever met."

It took a hefty amount of special effects talent to bring Twisty the Clown to life for "AHS: Freak Show." If you've managed to erase the image from your nightmares, Twisty shot off his jaw with a shotgun, leaving him horribly disfigured beneath his mask. But no amount of makeup could make that happen, so crew members completed the effect by painting actor John Carroll Lynch's face green and covering it with motion capture sensors for the CGI effects.

As Lynch later told the A.V. Club, he looked plenty scary as the nefarious Twisty even without the CGI — to the point that after filming one scene in which a group of people were "stabbing a fake body, pulling out entrails," one cast member turned to him to comment on how "freaky" he looked, just standing off to the side. "It's funny," laughed Lynch. "I'm like, 'You guys are hacking up a body!'" Looking more like himself, Lynch has also been seen in movies such as "Fargo," "Zodiac," "The Founder," and "The Trial of the Chicago 7," while also showing up on TV series like "The Drew Carey Show" and "Veep."

Sarah Paulson was certainly no newcomer to the "AHS" franchise when she suited up as a drug-addled ghost in "AHS: Hotel." Although she also played conjoined twins in "AHS: Freak Show," she's almost more unrecognizable as Hypodermic Sally with her frazzled hair and ghoulish makeup.

Fans have gotten to see Paulson play a wide range of material — and survive a number of terrifying scenarios — during the course of her nine seasons on "American Horror Story," but as she told Variety in 2015, the undead and unhinged Sally was a special treat for her to play.

"I'm just having more fun than I've ever had on 'American Horror Story,'" Paulson enthused during the "Hotel" season. "That's really saying something, because it's really been a true home for me from an acting standpoint for the last four years. I've always had a wonderful time on 'American Horror Story,' but anything goes with Sally, and there's such freedom in that. She's boundary-free." 

Frances Conroy's character in "AHS: Coven" is a brutally stoic (but honest) witch named Myrtle Snow — a woman who lives up to her chilly last name when she doesn't even flinch while being burned at the stake. Perhaps best known as Ruth Fisher on "Six Feet Under" and the mother of Arthur Fleck (Joaquin Phoenix) in "Joker," Conroy proved almost unrecognizable as Myrtle beneath all the hair and flair.

According to Entertainment Weekly, "American Horror Story" costume designer Lou Eyrich worked off series co-creator Ryan Murphy's double inspirations for Myrtle Snow to create her striking look. Murphy described Myrtle as being a mix of two fashion icons: "a little bit [former Vogue creative director] Grace Coddington," and "a little bit Diana Vreeland," the late fashion editor and columnist best known for her work with Harper's Bazaar and Vogue.

As Conroy told the Huffington Post, she prepped for the part by watching "Diana Vreeland: The Eye Has to Travel," but she still didn't know much about who Myrtle was going to be — a state of affairs that persisted well into the shooting of the season itself, much to Conroy's delight. "That starting off point — that invention to start her off with — was an interesting place to start from," said Conroy. "Then to just take the life of each episode and see how this character responds to situations and where she goes."

Lady Gaga, aka Stefani Germanotta, took home a Golden Globe (and a lot of respect) for her work as the Countess in "AHS: Hotel." But her visual aesthetic in that season wasn't too drastic a departure from the many zany-slash-fabulous getups she's sported onstage. Her appearance in subsequent season "Roanoke," however, was alarmingly different than what Gaga's Little Monsters — her fans — are used to.

Appearing as Scáthach, the original supreme witch with an undeniable power over men, she had matted hair, an old crone exterior, and a desperate need for a trip to the dentist. Despite the grimy getup, she still had to be alluring in the role, which was both weird and surprising. It might not have been her most acclaimed performance, but it certainly showcased her chameleonic capacity.

It also impressed AHS creator Ryan Murphy, who later revealed that Gaga's character was pivotal to the past and future of the show — and that she'd be returning at some point, schedule permitting. That could tough: her three high-profile big screen roles to date, in "A Star is Born," "House of Gucci," and "Joker: Folie à Deux," point toward a major film career.

"AHS: Freak Show" served up a whole laundry list of truly unique individuals, and none arguably stood out more than the diminutive Pepper. A lot of makeup went into overhauling Naomi Grossman's appearance for the role: It took two people nearly three hours to apply the prosthetic details, fake teeth, contact lens, and makeup each day. Grossman even shaved most of her head for the role.

Fortunately for Grossman, going the extra mile for "American Horror Story" didn't prevent her from getting work after she left the series. Quite the contrary, in fact — she's been seen in a number of projects since making her mark in "AHS," while also returning to "AHS" and its spinoff, "American Horror Stories," in two different roles.

It's all just part of a surprisingly long career. Fans who have enjoyed Grossman's more recent work can seek out her appearances as a child actor — she earned her first credited role on a 1990 episode of "Father Dowling Mysteries." 

Weird facial hair is nothing new for Wes Bentley. As fans of the blockbuster "Hunger Games" film franchise are well aware, he'd already done it in the first installment of the series, released in 2012. But even so, Bentley's character in "AHS: Freak Show" takes hair to another level. Brought to life as a fictional version of Edward Mordake — an 1800s British man who had an extra face on the back of his head — his character concealed a chilling secret beneath his hat.

Bentley must have had a fun time working on the set, because he returned for "American Horror Story: Hotel" the following year — and as he told Vulture during that run of episodes, he still managed to sleep pretty well at night. "At home, we have a really low bed, so there's nothing to check for," he joked. "But when I was living alone, I would have those moments, walking around with a fire poker at night, to see whatever — or whoever? — was around the house." 

Evan Peters' character in the first season, an emotionally troubled young man named Tate who ended up being revealed as the Rubber Man — aka the father of the Antichrist — didn't look all that different from Evan Peters in real life. But when Tate applied skull makeup before a horrific killing spree, it was thoroughly terrifying — and just the start of a long, strange journey for the talented actor that saw him playing a slew of "American Horror Story" characters, including a mind-blowing six roles in "AHS: Cult."

As Peters later told the Hollywood Reporter, that last hurdle represented a lot to take on even for him — although he was certainly gratified to be trusted with the challenge. "I didn't realize I was going to be playing so many different characters going into the season," laughed the actor. "Each character has been a new challenge." Outside of "AHS," Peters has challenged himself with roles in the "Kick-Ass" and "X-Men" superhero franchises, while doing award-winning work in HBO's "Mare of Easttown" and as the title character in the controversial "Dahmer — Monster: The Jeffrey Dahmer Story."

Making her "AHS" debut during the "Asylum" season, Chloe Sevigny starred as Shelley, a nymphomaniacal patient who draws the violent ire of Dr. Arden after she belittles his undersized member during his attempted assault on her. After that, an outraged Arden makes it his personal mission to punish her — first by surgically amputating her legs, then going an even more depraved step further by mutilating her face.

Her appearance becomes so unsightly that, even when she has the chance to escape, others who come across her perceive her as a monster and return her to her tormentor's den. For the role, Sevigny obviously had to wear prosthetics – and even get wheeled around on set after submitting to four hours of makeup before each and every day of shooting. The money shot showcasing the full extent of her character's physical ruin came when she frightened a whole schoolyard of kids by just being there. Sevigny's frighteningly impressive resume, meanwhile, includes films like "Kids" (her screen debut), "Boys Don't Cry," "American Psycho," and "Zodiac," while her TV work encompasses such favories as "Big Love" and "Portlandia."

Denis O'Hare's "AHS" portfolio is filled with visually dynamic roles, but one that left the most lingering mental image was that of Larry Harvey in "Murder House." The character's face was severely burned on one side in an attack that followed his wife's suicide by fire. Although Harvey was a murderous cretin whose sole motivation was his mistress, his circumstances still weren't enviable, and neither were O'Hare's on the set.

As he told The Morton Report, "The makeup is so good, and it looks so real that people assumed I wasn't an actor, they assumed that is was, 'Oh, look at that poor guy.' So people would sort of avert their eyes, or they would nod politely, and it's a great exercise in exploring what the character's daily reality must be like. I found myself, and I find myself, not wanting to be in public." Perhaps even accidental Method acting can be effective, because O'Hare nailed the ambivalence and secrecy of his character, just as the makeup crew managed to turn him into a very literally two-faced person.

The character list got a little complicated in "AHS: Roanoke," which navigated a show-within-a-show concept by dramatizing the events of a haunted country manor before bringing the actors together with their real-life counterparts for its sequel. Adina Porter portrayed Lee Harris, a true survivor of Roanoke who also suffered from some very menacing issues when the cameras weren't rolling.

While she was at times seen as a calm, very put-together woman, in others, she was barely clinging onto sanity, wearing the stresses and guilt of her life on her sleeves. Even splitting the image of her at her most desperate hour with another of the same season would be jarring. Compared to what Porter looks like outside of "AHS," she became nearly unrecognizable.

As she told E!, Porter had no idea how her character's journey would evolve, which turned out to be extraordinary for her as an actor. "It was kind of like being in an improv, because you don't know what's going to happen, so you just have to keep yourself relaxed and then go with what is presented to you," she recalled. "And in that way, it was empowering, exciting, thrilling to, after all the years of work that I've done, then be in this particular moment, and just be prepared for whatever comes down the pike."

Although the image of Kathy Bates portraying the Butcher in the sub-show version of the events of "Roanoke" was the one that got the most screen time, Susan Berger's stint as the Butcher was similarly shocking. Because not only did she boast the same bedraggled appearance and wield her eponymous death weapon just as wickedly, but she also did it all while wearing hooves for hands.

Berger later credited her makeup artist with creating such an eerie appearance for the actress, but she — and the props/prosthetics team — certainly did their fair share of heavy lifting as well.

While she might not have been at her most recognizable, Berger's turn as the true Butcher was certainly among her highest-profile appearances, putting her unexpectedly in front of audiences after a lengthy run of supporting roles that stretched all the way back to the early '70s. And they certainly haven't all been scary: she even appeared in an episode of "Hannah Montana" and recently starred in the acclaimed series "Jury Duty."

No discussion of "AHS" transformations would be complete without Sarah Paulson's turn as conjoined twins Bette and Dot in "Freak Show." She's been known to pull double duty on other seasons, but never quite like this. The sisters were connected in nearly every way except for the way they thought, which meant Paulson had to be able to hop between sisterly personalities on a dime — which was not always easy, even for a decorated actress like her.

She later said of the challenge, "It's one thing to play a twin where you tape yourself to another actor, and you're playing one-half of the twin, or if you're playing both twins but you don't have to be attached to each other ... here we did things with the camera, but with my body playing two people at the same time. I just thought they were going to come to realize this was not a feasible, realizable idea." Not only did the idea come to fruition successfully, but Paulson earned one of her several Emmy nominations for her work on the season.

"American Horror Story: Delicate" is an odyssey into the hellscape of one woman's fertility journey, as rising star Anna (Emma Roberts) struggles to maintain a sense of control over her own life and body in a world that endlessly seeks to commodify, regulate, and co-opt women's bodies. One of the mysterious figures she encounters along that journey is the enigmatic Ms. Preecher, an anti-IVF (in vitro fertilization) crusader who trolls Anna online when she's not haunting Reddit's conspiracy theory pages. With her pearl-clasped black hood and thin, drawn-on eyebrows, Preecher exudes witchy geriatric starlet energy. But somewhere underneath that Faye-Dunaway-as-Joan-Crawford-as-Little-Edie aesthetic lurks the turn-of-the-millenium suburban mom energy of Tony Award-winning character actor Julie White.

Best known for her role as Grace's (Brett Butler) next-door neighbor Nadine Swoboda in "Grace Under Fire," White got her start in musical theater during the late '80s before branching out into television. Despite her somewhat alarming appearance in the "AHS" universe, White looked more like the PTA mom who brings cookies to every homeroom party in her younger years as she appeared in roles like Judy Witwicky from the "Transformers" franchise or Jane Gould in "The Nanny Diaries." More recently, White's career has pivoted to classy-but–tough and often ethically compromised professionals like Lorraine Zimmer of "Designated Survivor" and former CIA agent Maggie Shaw of "NCIS: Hawaiʻi" before making the jump to "AHS" villain.