Superman's rogues' gallery is as good as Batman's, and James Gunn's reboot is the best time for villains like Brainiac and Livewire to finally see daylight.
Spider-Man's black suit is a fan-favorite, but the story of how he gets it (and how it becomes Venom) changes from medium to medium. Here's a deep dive.
Cara Maria Sorbello is finally back on "The Challenge," but the rules of "Battle for a New Champion" will rob her fans of the chance to see a true comeback.
Jamie Lee Curtis has turned in her final Halloween movie. Now, it's time for Rob Zombie's Halloween - and his tortured Laurie Strode - to make a comeback.
The rumor is that Matt Reeves' Batman sequel will use Clayface, but the Gotham City rogue who deserves a realistic reboot is Waylon Jones, aka Killer Croc.
Director David Yates discussed why the story behind "Pain Hustlers" was so fascinating to him, the multifaceted development of the characters, and more.
The Dragon Ball franchise's weird relationship with death and resurrection has reached a breaking point, and there's no way Dragon Ball: Daima will fix it.
Sylvie and Matt are the best couple on Chicago Fire, but the writers are letting them down, forcing them through the same motions as Matt's failed marriage.
Frasier has always been a pretentious jerk, both in the 20th century and today. That's exactly what makes him one of the best sitcom protagonists of all-time.
Chucky has made it to Washington. Series director and writer Don Mancini told Looper all about Charles Lee Ray's ultraviolent march to the White House.
Mike Flanagan is willing to break apart the source material and if it together in creative new ways. Stephen King's magnum opus, The Dark Tower, needs that.
Star Trek has a thrillingly expansive universe, but every show remains bolted to Starfleet. It's time for the Klingons to get their turn in the spotlight.
Not everyone was a big fan of Greta Gerwig's subversive summer blockbuster "Barbie," a list which surprisingly includes horror director John Carpenter.
Fall of the House of Usher isn't just the ultimate Edgar Allen Poe adaptation: it crafts a brilliant blueprint on how to bring Jane Austen's works to TV.