Two months ahead of filming, Marvel's "Blade" has encountered a significant roadblock after a surprising bit of news in the form of a major creative departure.
Jujutsu Kaisen 0 is not only a thrilling expansion of the main anime series but one that expertly distills what makes the show stand out in the first place
Apart from a daring performance by Florence Pugh, Olivia Wilde's Don't Worry Darling doesn't have much to show for itself in the way of substance or style
Although Darren Aronofsky's The Whale occasionally touches on the profound, and Brendan Fraser shines in the transformative role, it still lacks in substance
See How They Run luxuriates in the well-worn tropes of the whodunnit genre, thumbing its well-frayed edges with sincerity from Saoirse Ronan and Sam Rockwell
Pearl, Ti West's latest film and a prequel to his previous 2022 horror hit, X, is a worthy prequel, reuniting the director with Mia Goth in the title role
There may never be a remake that wants less to be a remake than "Confess, Fletch," which features Jon Hamm as a wholly new version of the Chevy Chase favorite
Rian Johnson's Glass Onion: A Knives Out Mystery is near-perfect, telling a very different story but capturing the same playful contempt for social elites
The Fabelmans lives up to the hype -- even if it's not Steven Spielberg's best ever, it's the deeply personal work of a master filmmaker who loves his craft
As a work of entertainment, The Woman King is a solid war film with strong production values and great performances, but its take on history is a mixed bag
"Barbarian" is initially presented as a two-hander about a double Airbnb booking but ultimately offers so much more twists and genuine surprises to viewers
Kevin Smith finds something special again in Clerks III, which attempts to blend the indie nature of his early films with the strangeness of more recent work
In The Invitation, Nathalie Emmanuel stars as a grieving young woman whose search for family leads her to a gothic wedding that is not what it appears to be
Sylvester Stallone's "Samaritan" is an ordinary tale of good versus evil that's even more formulaic than the franchise films it thinks it's an antidote to.
Owen Kline's directorial debut, Funny Pages, is not a cringe-comedy so much as it is a full-body squirm one, but here's why it left us wanting so much more
George Miller's adaptation of A.S. Byatt's "The Djinn in the Nightingale's Eye" is a daring story about stories set amid a tug of war between reason and passion
Now that the film is available for the masses to enjoy at home, the stars of "Jurassic World Dominion" have opened up about the harsh reactions from critics.
"Beast," starring Idris Elba as a grieving father on a safari, feels too haunting to have fun with but far too silly for its mawkish melodrama to truly resonate
If you go into "Orphan: First Kill" expecting the origin of Esther's murderous ways then you'll be disappointed but the second half is still wildly entertaining
Glorious, a new horror film from director Rebekah McKendry, is locked-room descent into Lovecraftian madness that's both darkly funny and surprisingly profound
"Fall" is far from perfect, not least because of a third-act twist that could have easily been written out, but it's the perfect movie to see with a crowd
The most remarkable thing about "Luck" is that any storytelling magic John Lasseter once had with Toy Story and Pixar is now all but absent in the charmless pic
Prey becomes the best Predator film since the original and a true showcase for what the creature can still do with the right filmmakers and Amber Midthunder