Harold And The Purple Crayon Review: A Dull Waste Of A Colorful Children's Classic
"Harold and the Purple Crayon" takes a beloved children's book and turns it into an irritating, flat, miscast waste of time.
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Trap Review: Shyamalan's Thriller Is Unhinged & Unsettling (But Slightly Uneven)
Although M. Night Shyamalan's thriller "Trap" fumbles in the third act, it's a whole lot of fun - and Josh Hartnett nails his role. -
Deadpool & Wolverine Review: A Solid MCU Entry, But It's No Juggernaut
While there may be a lack of plot in "Deadpool & Wolverine," many people will simply luxuriate in two-plus hours of the titular heroes doing their thing. -
Twisters Review: A Charming, Admirable Update On A Classic
"Twisters," directed by Lee Isaac Chung and starring Glen Powell, might struggle to capture its predecessor's magic, but the tornadoes are a sight to see. -
Longlegs Review: Overhyped Horror That's Hard To Take Seriously
While it's gotten plenty of hype, Osgood Perkins' serial killer film "Longlegs" disappoints with a flat protagonist and some predictable beats. -
Beverly Hills Cop: Axel F Review - Eddie Murphy's Back On The Beat
"Beverly Hills Cop: Axel F" is funny, action-packed, full of heart, and proves that Eddie Murphy is still an immense talent. -
Despicable Me 4 Review: The Minions Continue To Do The Heavy Lifting
Despite some impressive voice acting from the main cast, the Minions continue to steal the show in Illumination's "Despicable Me 4." -
Maxxxine Review: A Great Horror Trilogy Goes Out In Style
"Maxxxine" isn't the strongest movie in Ti West's "X" trilogy, but it's still a great summer slasher worth checking out. -
A Quiet Place: Day One Review - Lupita Nyong'o And Frodo The Cat Steal A Somber Spinoff
The "Quiet Place" franchise continues with the New York City-set prequel, "Day One," directed by Michael Sarnoski and starring Lupita Nyong'o and Joseph Quinn. -
The Bikeriders Review: Stylish Drama That Will Tire You Out Quickly
Although "The Bikeriders" is based on Danny Lyons' photo book, it doesn't necessarily do the source material justice. -
Inside Out 2 Review: Pixar's Masterpiece Gets A Moving But Underdeveloped Sequel
While "Inside Out 2" isn't quite the masterpiece that its predecessor was, it still delivers plenty of heartfelt moments. -
The Watchers Review: Only Nepotism Could Have Gotten This Film Made
Ishana Night Shyamalan's film debut is here with the mystery-thriller "The Watchers," but did she inherit her father's knack for compelling stories and twists? -
Bad Boys: Ride Or Die Review - Aging Gunslingers Still Hit The Spot
"Bad Boys: Ride or Die" proves that the franchise still has tons of life left, with Martin Lawrence and Will Smith as good as ever. -
The Apprentice Review: A Subtly Humiliating Look At The Rise Of Trump [CANNES 2024]
Sebastian Stan plays Trump well in "The Apprentice," but Jeremy Strong steals the show as Roy Cohn, the mentor who carved Trump into who he is today. -
Furiosa Review: It's No Fury Road, But Still A Lovely Day
"Furiosa: A Mad Max Saga" is an action-packed thrill ride that can't help but live in its predecessor's shadow - for better or for worse. -
Rumours Review: A Funny, Sometimes Foggy Commentary On Global Leaders [CANNES 2024]
Though it rallies toward the end with a few well-placed energetic bits, it's hard to ignore how heavily "Rumours" sags in the middle. -
Emilia Pérez Review: A Bold And Messy Mexican Trans Crime Musical [CANNES 2024]
"Emilia Pérez" can certainly be messy, but it's rarely a mess, and many audiences might just fall in love with its audacious, chaotic energy. -
The Garfield Movie Review: As Entertaining As A Monday Without Lasagna
"The Garfield Movie" filmmakers have lost track of the comedic tone that has helped these simple, gag-driven comics endure for decades. -
Kinds Of Kindness Review: Lanthimos' Poor Things Follow-Up Is Weird & Compelling [CANNES 2024]
Like it, love it, or hate it, Yorgos Lanthimos stays true to his tastes, and "Kinds of Kindness" is the purest example of this we've seen in a while. -
Megalopolis Review: Objectively Bad But Audacious As Hell [CANNES 2024]
Francis Ford Coppola forgoing what audiences might want to see in "Megalopolis" for his own vision is so bold you almost have to admire it. -
IF Review: These Imaginary Friends Should Have Stayed In John Krasinski's Head
John Krasinski's imaginary friend fable "IF" stars Ryan Reynolds, Cailey Fleming, and a whole host of deeply irritating animated characters. -
Kingdom Of The Planet Of The Apes Review: Stunning Action But Monkeys Around Too Much
"Kingdom of the Planet of the Apes," the first Disney-produced "Apes" film, doesn't break new ground, but it's more fun than a barrel of monkeys. -
The Fall Guy Review: A Crowd-Pleasing Love Letter To Stuntmen
Ryan Gosling and Emily Blunt have knockout chemistry in "The Fall Guy," which may also be David Leitch's best work to date. -
I Saw The TV Glow Review: A Teen Horror Masterpiece Where The Channel Changes You
Jane Schoenbrun's horror-drama "I Saw the TV Glow" is entertaining yet depressing, surreal yet too real, and frustrating yet somehow cathartic. -
The Ministry Of Ungentlemanly Warfare Review: The Best & Worst Of Guy Ritchie In One Thrill-Ride
Guy Ritchie's "The Ministry of Ungentlemanly Warfare" gets bored of its own dialogue scenes, but the WWII action film will more than delight with its shootouts. -
Challengers Review: Game, Sex & A Near-Perfect Match
Flaws aside, "Challengers" is a steamy little romp that is sure to entertain and titillate in equal measure. -
Civil War Review: This Is How The World Sees America - And It's Terrifying
While "Civil War" is worth seeing and thinking about for those who can stomach it, anyone with sound sensitivities should avoid the IMAX.
