"Quicksand," a Shudder original horror film from writer Matt Pitts and director Andrés Beltrán, has two good performances outweighed by survival horror tropes.
"Insidious: The Red Door" boasts weighty themes and solid scares. But how does it stack up against the rest of the franchise? Our reviewer has the answer.
"Joy Ride" is a raunchy comedy in the classic fashion, but through a fresh lens you could only get with its cast and creative team of Asian American women.
"Mission: Impossible - Dead Reckoning Part One" is a pulse-pounding thrill ride. But does it live up to the series' heights? Our reviewer has the answer.
"No Hard Feelings" isn't a throwback so much as a sign of how gross-out sex comedies have matured in the years since "Superbad" and "The 40-Year-Old Virgin."
Black Widow finally got the live-action treatment in the Marvel Cinematic Universe, but she could've gotten a TV show in the 1970s courtesy of Angie Bowie.
In "Extraction 2," Chris Hemsworth's Tyler Rake shows that his brutality and combat skills can challenge even the most impressive hallway fighters in the MCU.
Like all Wes Anderson films, "Asteroid City" is a visual treat full of charming performances, but its thin story can't quite support its overstuffed cast.
Marketed as a throwback to mid-aughts parody fare like the "Scary Movie" films, "The Blackening" is both more interesting and less laugh-out-loud funny.
"Elemental," which tells the story of fiery Ember and watery Wade, isn't Pixar's best. But it has a lot to offer -- especially when it comes to worldbuilding.
Comic fans have often wondered who would win in a match up between various DC and Marvel heroes -- and they can see the actual answer in this epic crossover.
Directed by Eva Longoria, "Flamin' Hot" tells the story of how one man revolutionized Cheetos. Can it be a good movie if that story isn't entirely true?
As rumors continue to circulate that Marvel's Justice League parody could be headed for a place in the MCU, here's how James Gunn and DC could retaliate.
Every once in a while, an achingly romantic drama comes along that reminds you what the genre is capable of. Celine Song's "Past Lives" does just that.
This adaptation of Stephen King's short story from "Host" director Rob Savage is a fun time, even if it doesn't break any new ground in the realm of terror.