The Abandons Review: A Revenge-Filled, Feminist Take On The Western
Gillian Anderson and Lena Headey are dynamic in Netflix's "The Abandons," which is overall a great addition to the Western TV genre.
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Percy Jackson And The Olympians Season 2 Review: A Faithful But Flat Adaptation
It's time to brush up on your Greek mythology, because Percy Jackson is back, and this time he's tackling the Sea of Monsters.
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Oh. What. Fun. Review: Michelle Pfeiffer's Christmas Movie Has Charm But No Spark
The talented ensemble cast in "Oh. What. Fun." is let down by a weak script, making it just another generic Christmas movie.
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100 Nights Of Hero Review: A Rushed Outline For A Feminist Fantasy
Whatever happened in adapting the source material, "100 Nights of Hero" is likely to leave you feeling underwhelmed.
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Marty Supreme Review: Timothée Chalamet Delivers A Career-Best Turn In A24's Biggest Movie
A24's sports dramedy "Marty Supreme" may feature Timothée Chalamet's best performance of his career so far.
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Zootopia 2 Review: The Rare Disney Sequel To Live Up To The First
"Zootopia 2" doesn't break the first film's formula, but the incredible world-building and appealing lead characters provide plenty of charm.
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Wicked: For Good Review — Strong Performances Keep A Wobbly Script Afloat
While it's not quite as remarkable as "Part 1," "Wicked: For Good" is a beautiful movie with a couple of standout songs of its own.
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The Mighty Nein Review: A Beautifully Flawed Adventure That Never Fully Comes Together
"The Mighty Nein" is at its best when we get to hang out with its eccentric cast of characters, especially since the core plot isn't engaging on its own.
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The Running Man Review: Glen Powell's Thrilling Action Film Doesn't Quite Meet The Moment
The 2025 version of "The Running Man" is enjoyable in the moment and easy to forget once it's over.
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Now You See Me: Now You Don't Review – A Flashy, Flawed, But Fun Sequel
"Now You See Me: Now You Don't" is a lot of fun, even if some of the dialogue is clunky and distracting.
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Pluribus Review: Breaking Bad Creator Vince Gilligan's Return To TV Was Worth The Wait
"Pluribus" is at once mysterious, frightening, thrilling, and hilarious, and Rhea Seehorn delivers one of the year's must-see performances.
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Death By Lightning Review: A Sharp And Engaging Political Drama That Captures Lightning In A Bottle
Michael Shannon and Matthew Macfadyen put in top-tier performances as a forgotten president and his assassin in Netflix's "Death by Lightning."
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All Her Fault Review: A Gripping, Paint-By-Numbers, And Unexpectedly Emotional Thriller
Peacock's "All Her Fault," based on Andrea Mara's thriller novel, is bolstered by great acting from Dakota Fanning and Sarah Snook.
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Die My Love Review: Jennifer Lawrence Carries Lynne Ramsay's Frustrating Drama
Jennifer Lawrence is unquestionably the best part of "Die My Love," which suffers from a script that doesn't go anywhere.
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Predator: Badlands Review - This Kid-Friendly Sequel Still Serves Some Thrills
"Predator: Badlands" manages to be an entertaining entry into the franchise despite some distracting crossover references.
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Hazbin Hotel Season 2 Review: Worth Checking Into For A More Streamlined Story
"Hazbin Hotel" Season 2 is full of what fans have come to love about the show: catchy songs, creative animation, and crude humor.
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It: Welcome To Derry Review - A Joyless Return To Stephen King's Horror World
"It: Welcome to Derry" is far from being the worst show of the year, but it's too similar to other series in its genre for it to stand out in any real way.
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Good Fortune Review: Funny And Poignant But Doesn't Stick The Landing
Aziz Ansari's directorial debut "Good Fortune" is a fun time, even if the ending leaves something to be desired.
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Springsteen: Deliver Me From Nowhere Review - This Soulless Music Biopic Is Perplexingly Bad
If anything, "Springsteen: Deliver Me From Nowhere" is proof that Hollywood should move on from its music biopic phase.
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Shelby Oaks Review: Chris Stuckmann's Horror Mystery Slowly Falls Apart
Chris Stuckmann's "Shelby Oaks" starts off with some promise, but the ending completely misses the mark.
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Black Phone 2 Review: The Scariest Dreamscape Since Nightmare On Elm Street
Despite some cringey dialogue, "Black Phone 2" is a great follow-up to the original supernatural horror film.
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Bugonia Review: Emma Stone's Latest Yorgos Lanthimos Film Is Weird, Tense, And Brilliant
"Bugonia" is intense and jaw-dropping, and just may be Yorgos Lanthimos' best movie yet.
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Is This Thing On? Review: Bradley Cooper's Mid-Life Crisis Comedy Is Cute But Forgettable [NYFF 2025]
"Is This Thing On?" isn't groundbreaking, but it's a fun watch with some good performances.
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The Last Frontier Review: Jason Clarke Shines In An Uneven Apple TV+ Series
Apple TV+'s "The Last Frontier" has so much going on that it ultimately suffers for it.
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The Woman In Cabin 10 Review: This Silly Thriller Leaves Its Cast Lost At Sea
"The Woman in Cabin 10" should be approached as the mindless fun it is, not a modernization of a classic genre formula.
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After The Hunt Review: Julia Roberts Stars In A #MeToo Drama That Wastes Its Potential [NYFF 2025]
It's difficult to regard "After the Hunt" as anything other than a disappointment and a waste of talent.
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Boots Review: This Netflix Original Is High-Energy, Hilarious, And Heartwarmingly Emotional
Netflix's "Boots" is a touching series with humor and heart, and may just be one of the best original shows from the streamer in a while.
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